Film Noir Style, 1940s and ‘50s

I grew up watching film noir movies at the theater and on TV. I love the retro vibe, the fashion and décor, the jazz music, and the drama and intrigue of noir films. The leading A-list actors of the 1940s and 50s starred in these films, especially some of my favorites, such as Humphrey Bogart and Robert Mitchum, and directors Alfred Hitchcock and John Huston.

Film Noir is an American crime movie genre in the 1940s, 1950s, and early 1960s. It is about crime stories told from the criminal’s point of view. The films use black and white cinematography with dark shadows, symbolism, angle shots, twisted perspectives, and stylized scenes. Film noir expressed the doom, fatalism, and cynicism of the apocalyptic era of World War Two and the Cold War. Characters are helplessly trapped by forces beyond their control, paranoid, and are driven toward a tragic end. Heists that go wrong.

Stylish fashion and decor, nightclubs, vintage cars, jazz and singers, dark alleys, and lonely cityscapes at night are all elements of the noir style.

Noir characters usually portray beaten-down and desperate criminals who cannot escape their fate. Characters include con men, mob bosses, hard-nosed police detectives, and private eyes, femme fatale ladies who lead men to a tragic end, and innocent women who try to reform the wayward criminal hero.

Leading ladies include Bette Davis, Lauren Bacall, Veronica Lake, Joan Crawford, Rita Hayworth, Lana Turner, Gloria Graham, Janet Leigh, Ida Lupino, Marilyn Monroe, Yvonne DeCarlo, Joan Bennett, Susan Hayward, Rhonda Fleming, Collen Gray, Loretta Young, Lizabeth Scott, Barbara Stanwyck, Gene Tierney, Jan Sterling, Shelley Winters, Marie Windsor, Claire Trevor, and others.

Leading men in film noir movies included Humphrey Bogart, Robert Mitchum, Alan Ladd, Glenn Ford, Dana Andrews, Burt Lancaster, Orson Welles, Tony Curtis, Frank Sinatra, Edward G. Robinson, Sterling Hayden, Richard Widmark, James Stewart, Cary Grant, Dan Duryea, Dick Powell, William Bendix, Lee J. Cobb, Kirk Douglas, Ray Milland, William Holden, Joseph Cotton, Broderick Crawford, Raymond Burr, John Garfield, Peter Lorre, Robert Ryan, Edmond O’Brian, and others.

Film noir’s leading directors included Alfred Hitchcock, Orson Welles, John Huston, Billy Wilder, Stanley Kubrick, Otto Preminger, Fritz Lang, Nichols Ray, and many others.

Film noir movies are often based on crime and pulp fiction novels, by such popular writers as Raymond Chandler, Dashiell Hammet, Mickey Spillane, W.R. Burnett, James M. Cain, Ernest Hemingway, Graham Greene, W. Somerset Maugham, Cornell Woolrich, and others.

The 100 Best Film Noirs of All Time - Slant Magazine

Lady From Shanghai, 1947, with Orson Welles and Rita Hayworth

A Very Brief History Of Film Noir

Humphrey Bogart

BigComboTrailer.jpg

The Big Combo, 1955, Cornel Wilds, Richard Conte

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Sunset Boulevard, 1950, William Holden, Gloria Swanson

Otto Preminger's 'Laura,' the film noir classic, and the analogies among  love, police-work and film

Laura, 1944, Dana Andrews, Gene Tierney, Clifton Webb

Humphrey Bogart in The Maltese Falcon iconic smoking cigarette holding  falcon 24x36 Poster at Amazon's Entertainment Collectibles Store

The Maltese Falcon, 1941, Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre

The Dark And Distinctive Elements Of Film Noir

Double Indemnity, 1944, Fred MacMurray, Barbara Stanwyck

Film Noir: Adding Darkness to Your Story - ScreenCraft

Out of the Past, 1947, Robert Mitchum

Film Noir in 50 Perfect Shots: Dark Beauty On Screen From 1940 to 1958

The Third Man, 1950

Black-and-white image of a man and woman, both with downcast expressions, sitting side by side in the front seat of a convertible. The man, on the right, grips the steering wheel. He wears a jacket and a pullover shirt. The woman wears a checkered outfit. Behind them, in the night, the road is empty, with a two widely separated lights way off in the distance.

In a Lonely Place, 1950, Humphrey Bogart, Gloria Graham

Lighting Tips for Film Noir - The Beat: A Blog by PremiumBeat

This Gun For Hire, 1942, Alan Ladd, Veronica Lake

cineCollage :: Film Noir

The Killers, 1946, Burt Lancaster and Ava Gardner

CLASSICS: Out of the Past (1947) | Keeping It Reel

Out of the Past, 1947, Robert Mitchum, Jane Greer

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This Gun For Hire, 1942, Alan Ladd

Psycho scream shower scene | Psycho shower scene, Janet leigh, Best horror  movies

Psycho, 1960, Anthony Perkins, Janet Leigh,

The Asphalt Jungle (1950) - Turner Classic Movies

The Asphalt Jungle, 1950, Sterling Hayden, Sam Jaffe

Counting Down the Greatest Crime Films of All-Time: #43 ‹ CrimeReads

The Big Heat, 1953, Glenn Ford, Lee Marvin, Gloria Graham

The Big Sleep: Proof That Plot Doesn't Matter - Den of Geek

The Big Sleep, 1946, Humphrey Bogart, Lauren Bacall

Rita Hayworth: Gilda (1946) | Style On The Screen

Gilda, 1946, Rita Hayworth, Glenn Ford

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Mildred Pierce, 1945, Joan Crawford, Eve Arden

Dark Passage (film) - Wikiwand

Dark Passage, 1947, Humphrey Bogart, Lauren Bacall

5 Things You Might Not Know About Alfred Hitchcock's Masterpiece 'Vertigo'  | IndieWire

Vertigo, 1958, James Stewart, Kim Novak

Veronica Lake in "The Blue Dahlia" (George Marshall, 1946) | Veronica lake,  Blue dahlia, Movie stars

The Blue Dahlia, 1946, Alan Ladd, Veronica Lake

Touch of Evil review – brilliant noir drama restored to Welles's vision |  Touch of Evil | The Guardian

Touch of Evil, 1958, Orson Welles, Charlton Heston, Janet Leigh

Suddenly (1954) - IMDb

Suddenly, 1954, Frank Sinatra, Sterling Hayden

Murder, My Sweet (1944) - Photo Gallery - IMDb

Murder My Sweet, 1944, Dick Powell, Clare Trevor

Noirvember: Kiss Me Deadly (1955) - Blog - The Film Experience

Kiss Me Deadly, 1955, Ralph Meeker

The Killing": Film Review | Camera Roll

The Killing, 1956, Sterling Hayden

The single flaw that stops The Night of the Hunter short of perfection | BFI

The Night of the Hunter, 1955, Robert Mitchum, Shelley Winters

Criss Cross (1949) – Ticklish Business

Criss Cross, 1949, Burt Lancaster, Yvonne DeCarlo, Dan Duryea

The Postman Always Rings Twice | George Eastman Museum

The Postman Always Rings Twice, 1946, John Garfield, Lana Turner

The Third Man, 1950, Orson Welles, Joseph Cotton

Out of the Past, 1947, Robert Mitchum

Notebook Primer: Film Noir on Notebook | MUBI

The Big Heat

The Big Heat, 1953

How To Get That Film Noir Effect When Producing and Editing Video — Video  Production Marketing Company NYC, New York, NJ, New Jersey

The Asphalt Jungle

The Asphalt Jungle, 1950

What Is Film Noir? The 15 Best Noir Movies Worth Watching - whatNerd

Touch of Evil, 1954, Orson Welles

 

Bruce J. Wood
Bruce J. Wood
Bruce J. Wood, founder of AOIDE Bruce J. Wood has worked on Wall Street in business finance and strategy, and has written hundreds of finance business plans, strategic plans, economic feasibility studies, and economic impact studies. Bruce has lectured on creativity and strategic thinking, as well as worked on the development of numerous publishing, film, television, and performing arts projects, along with downtown revitalizations, using the arts as an economic catalyst. As an aficionado of music, art, and dance, Bruce is also a writer and an outdoor enthusiast. He has written poetry, blogs, articles, and many creative project concepts. He lives in the Metro Detroit area and enjoys writing poetry, backpacking, and ballroom dancing.

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